Teaching

Learning theatre is stepping into a dialogue that stretches across centuries, one that reinvents itself each time we engage with it. I foster spaces where artistic excellence and nurturing collaboration coexist, and where students approach their work as part of a living lineage—connecting with their influences, history, and what is around them.

In these spaces, differences become strengths, and risk is welcomed as an essential part of discovery. The work is approached with both discipline and daring—holding fast to rigor while remaining open to experiment, surprise, and invention.

My mission is for students to find their place in this continuum, discover their communities, and make work that grows from their own truth while staying connected to something greater—creating theatre that dares, that pulses with urgency, and that cannot help but belong to this moment.

BFA PROGRAMS:

CAP21 - MOLLOY COLLEGE

UNIVERSITY OF THE ARTS

HUNTER COLLEGE

INDEPENDENT: Revolucion Latina, Theatre of the Oppressed (Johannesburg, SA), Private Coaching for Professional Actors: TV & Film Auditions.

Writers: Dramaturgical feedback on script.
Directors: Advice on next steps, collaboration, and pitching your work.
Actors: Audition Prep and character development.
For All: Consultation on contracts, budgets, templates, and industry insight.

Options:

I mentor up to six artists per year meeting every two weeks. (one spot is still available for the next cycle Jan ‘26)
2. A one to three hour consulting call for advice, time-sensitive auditions, interviews, or meetings that require coaching.

To learn more, type your email below:

Private Mentorship

Group workshops are in English and private mentorship can be in English, Portuguese or Spanish.